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X-WR-CALDESC:Events for Arizona Philharmonic
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TZID:America/Phoenix
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DTSTART:20250101T000000
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261004T150000
DTEND;TZID=America/Phoenix:20261004T170000
DTSTAMP:20260920T032509Z
CREATED:20260919T232600Z
LAST-MODIFIED:20260920T032509Z
UID:11839-1791126000-1791133200@azphil.org
SUMMARY:Beethoven and Mozart: Virtuosity and Brilliance
DESCRIPTION:Beethoven and Mozart: Virtuosity and Brilliance\n\nIn our season opening concert\, Peter Bay conducts three works whose composers answer what they have inherited. José Carlos Campos’s Danza rústica sets indigenous South American rhythm within the European orchestral tradition\, in four compact minutes. Steven Moeckel is the soloist in the only violin concerto Ludwig van Beethoven completed\, Beethoven’s Violin Concerto\, built on the French virtuoso style of Viotti and his followers. Beethoven wrote it for Franz Clement\, a violinist known for grace and expressive line\, and its virtuosity lives in sustained tone and long singing phrases. \nThe “Jupiter\,” Wolfgang Amadeus Mozart’s Symphony No. 41 and his final symphony\, pairs ceremonial brilliance with wit and lyricism. Its finale takes four notes from Fux’s centuries-old manual and builds them into exhilarating counterpoint that sounds invented on the spot. \nAdmission \n\n\n\nTier 1: $69.00\nTier 2: $54.00\nTier 3: $28.00\n21 and under: $10.00\nK–12 teacher with ID: $15.00\n\n\n\n\nThursday October 1\, free: Peter Bay and timpanist Maria Flurry trace Mozart from the first symphony to the Jupiter. \n\nWorks on the program: \n\nJosé Carlos Campos: Danza rústica\nLudwig van Beethoven: Violin Concerto in D Major\, Op. 61\nWolfgang Amadeus Mozart: Symphony No. 41 in C Major\, K. 551\, “Jupiter”\n\nPeter Bay has served as conductor of Arizona Philharmonic since 2018. He is also Music Director and Conductor of the Austin Symphony Orchestra and Resident Conductor of the Piano Texas Festival. Bay has appeared with more than 80 orchestras\, including the National\, Chicago\, St. Louis\, Houston\, Dallas\, Baltimore\, and Fort Worth symphonies\, and has held music-director posts with the Erie Philharmonic\, Annapolis Symphony Orchestra\, and several music festivals. He is also the primary conductor for Ballet Austin. \nViolinist Steven Moeckel has performed as concerto soloist\, concertmaster\, chamber musician\, and recitalist throughout the United States\, Europe\, and Asia. A Laureate of the Sibelius Competition\, he has appeared with orchestras in repertoire ranging from the major classical and Romantic concertos to works by Shostakovich\, Corigliano\, Elgar\, Britten\, and Walton. He was the first Western violinist invited to perform The Butterfly Lovers concerto with a Chinese orchestra and has collaborated with musicians including Leon Fleisher\, Menachem Pressler\, William Wolfram\, and longtime recital partner Paula Fan\, with whom he has performed the complete Beethoven violin sonata cycle three times. \nMoeckel has deep ties to Arizona\, having served as Concertmaster of both The Phoenix Symphony and the Tucson Symphony Orchestra. His other concertmaster positions have included Germany’s Ulm Philharmonic and the Santa Fe Opera. A graduate of the Hochschule Mozarteum in Salzburg and Indiana University\, he joined the faculty of Northern Arizona University in 2020 as a tenured Professor of Violin. He is also active as an educator\, orchestral coach\, and advocate for string teaching\, and serves as artistic director of the Oxmoor Farm International Chamber Music Festival in Louisville\, Kentucky.
URL:https://azphil.org/event/beethoven-and-mozart/
LOCATION:Ruth Street Theater\, 1050 Ruth Street\, Prescott\, AZ\, 86301
CATEGORIES:2026-27 Season,Concert,Ruth Street Theater Events,Season Concert
ATTACH;FMTTYPE=image/jpeg:https://azphil.org/wp-content/uploads/2026/09/261004-Steven-Moeckel-16-9@3x-scaled.jpg
ORGANIZER;CN="Arizona Philharmonic":MAILTO:info@azphil.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261101T150000
DTEND;TZID=America/Phoenix:20261101T170000
DTSTAMP:20260920T032535Z
CREATED:20260919T232609Z
LAST-MODIFIED:20260920T032535Z
UID:11843-1793545200-1793552400@azphil.org
SUMMARY:Tierra Flamenca: Guitar\, Dance\, and Classical Roots
DESCRIPTION:Tierra Flamenca: Guitar\, Dance\, and Classical Roots\n\nChris Burton Jácome and Lena Jácome return to the AZ Phil concert stage in Prescott with flamenco guitar and dance in a program that keeps trading places. Lena dances to Johann Sebastian Bach’s unaccompanied Prelude from the Cello Suite No. 1. Chris’s guitar and the ensemble’s improvisation reshape Johann Pachelbel’s Canon in D\, while his guitar reinterprets the piano part in Frédéric Chopin’s Nocturne in E-flat and the accompaniment in Jules Massenet’s Méditation from Thaïs. \nThe oldest music is by Diego Ortiz\, a Spaniard who spent his working life in Naples and Rome. His Trattado de glosas of 1553 is a manual for improvising over a written bass\, and the Recercadas sobre tenores italianos heard here come from it\, aligning with Chris’s flamenco improvisation nearly five centuries on. \nClassical instruments take up flamenco as well\, with Chris’s own pieces opening out for flute and strings: guajira\, malagueña\, sevillanas\, verdiales\, tonás\, tarantas\, alegrías\, and The Kiss. These forms carry the geography and history of flamenco with them\, from Cuba\, Cádiz\, Málaga\, and Seville to the mining country of southeastern Spain. \nAdmission \n\n\n\nTier 1: $69.00\nTier 2: $54.00\nTier 3: $28.00\n21 and under: $10.00\nK–12 teacher with ID: $15.00\n\n\n\n\nThursday October 29\, free: Chris and Lena Jácome break flamenco into its forms\, where a twelve-beat cycle carries accents you learn to clap\, and show how the dancer cues a change that the guitarist follows on the spot. Watch for it on Sunday. \n\nWorks on the program: \n\nChris Burton Jácome: Guajira · Malagueña · The Kiss · Sevillanas · Verdiales · Tonás · Tarantas · Alegrías\nJohann Sebastian Bach: Prelude from Cello Suite No. 1\nFrédéric Chopin: Nocturne in E-flat\, Op. 9 No. 2\nJules Massenet: Méditation from Thaïs\nDiego Ortiz: Recercadas sobre tenores italianos\, from Trattado de glosas (1553)\nJohann Pachelbel: Canon in D\, arr. Jácome\n\nChris B. Jácome is the artistic director and creator\, Jácome Flamenco\, Chris writes the music and lyrics for all of the touring company’s productions and has toured extensively throughout the US and beyond. \nIn November of 2015\, Chris’ first feature film score “Just The Vampire Hunter” was released and is receiving RAVE REVIEWS! Chris’ compositions can be heard scoring the Emmy Award Winning PBS television special: “Flamenco” (broadcast in Arizona by KAET-TV Channel 8: Mike Sauceda\, producer) and on popular TV shows such as “Touch”\, “Kyle xy” and “Greek”. Two of Chris’ original songs appeared in the film “Amreeka” which was a jury selection for the Sundance Film Festival and won the Fipresci Prize at the Cannes Film Festival in 2009. Chris’ flamenco version of the Christmas Classic\, “Joy to the World”\, was included in Coldwater Creek Catalogue’s 2004 Christmas CD. Additionally\, Chris can be heard as the featured soloist in the movie soundtrack of the feature film\, “9/tenths”. \nChris’ music has received critical acclaim from the beginning of his career. From Chris’ debut CD\, Motivación\, the title track “Motivación” finished in the Top 10 in the John Lennon Songwriting Contest World Music Category. Since his first CD’s debut Chris has written and recorded three other original flamenco albums: Pa’lante\, Flamenco and LEVANTO. LEVANTO features the music\, lyrics and even the footwork from the flamenco spectacular by flamenco dance company\, CALO FLAMENCO. TWO of Chris’ original songs from LEVANTO\, “Ritmo-Canix” and “Sin Ti” won the Grand Prize in the John Lennon Songwriting Contest! \nLena Jácome is an internationally touring flamenco dancer\, choreographer and instructor with Jácome Flamenco. She performed as\, and choreographed for the role of ‘Flamenco Dancer’\, in Teatro Bravo!’s presentation of ‘Lorca in a Green Dress’. She was an invited guest artist to perform for the Ibero-American Association in Jakarta\, Indonesia and she was an invited guest performer & instructor for the Dance Network of South Dakota. Some performance highlights include Jazz at Lincoln Center\, New York City Center and she guest performed in the World Premiere of the Pangean Orchestra at Symphony Hall. She performed and choreographed for the first symphonic work to include flamenco dance entitled\, ‘Impulso’\, composed by Chris Jácome and Henry Flurry. This work was premiered in St. Louis\, Missouri with The University City Symphony Orchestra. \nShe has assisted in the creation of an extended long term multi-residency dance curriculum for the Baton Rouge\, Louisiana dance community and she has set work on various groups ranging in age and in various facets of programming; from University settings to private dance studios and everything else in between. \nLena attained her B.F.A. Degree in Dance Performance at New World School of the Arts in Miami\, FL and earned her M.F.A. Degree in Choreography and Performance at Arizona State University. She is currently a Roster Artist through Surprise Arts and has been awarded professional study grants through the National Endowment for the Arts to study in Spain. She has studied from such artists as Juana Amaya\, Concha Vargas\, La Faraona and Saray Montoya. She toured with Calo Flamenco under the direction of Martín Gaxiola and worked with Noche Flamenca & with guest choreographers such as Isabel Bayón and Juan Ogalla during their extended summer residency program at Scottsdale Center for the Arts. \nLena returns frequently to Spain to teach\, perform\, study and provide immersion programs for dancers & musicians. She published\, ‘Flamenco!’ a flamenco photography book showcasing Sergio Photography’s images\, based on Jácome Flamenco. \nPhoto of Jácome Flamenco courtesy of Sylvia Hardt.
URL:https://azphil.org/event/tierra-flamenca/
LOCATION:Ruth Street Theater\, 1050 Ruth Street\, Prescott\, AZ\, 86301
CATEGORIES:2026-27 Season,Concert,Ruth Street Theater Events,Season Concert
ATTACH;FMTTYPE=image/jpeg:https://azphil.org/wp-content/uploads/2026/09/261101-Jacome-Flamenco-16-9@3x-scaled.jpg
ORGANIZER;CN="Arizona Philharmonic":MAILTO:info@azphil.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261206T150000
DTEND;TZID=America/Phoenix:20261206T170000
DTSTAMP:20260920T032539Z
CREATED:20260919T232613Z
LAST-MODIFIED:20260920T032539Z
UID:11847-1796569200-1796576400@azphil.org
SUMMARY:A Virtuoso Christmas
DESCRIPTION:A Virtuoso Christmas\n\nFour voices and seven musicians bring Christmas down to chamber scale: flute\, oboe\, timpani\, piano and strings\, in beautiful arrangements written for this ensemble by Prescott Valley native Mat Lanning. \nOne of Johann Sebastian Bach’s many Christmas cantatas\, Süßer Trost\, mein Jesus kömmt\, anchors the program\, sung by four voices with flute\, oboe\, strings and piano. Around it come favorites including O Holy Night\, Carol of the Bells\, In the Bleak Midwinter\, and Silent Night\, along with George Frideric Handel’s Hallelujah and excerpts from Pyotr Ilyich Tchaikovsky’s The Nutcracker. \nViolinist Katherine McLin and pianist Andrew Campbell join AZ Phil’s musicians for this Christmas concert at Ruth Street Theater in Prescott. \nAdmission \n\n\n\nTier 1: $69.00\nTier 2: $54.00\nTier 3: $28.00\n21 and under: $10.00\nK–12 teacher with ID: $15.00\n\n\n\n\nFriday December 4\, free: Katherine McLin and Andrew Campbell on the stories behind the carols\, with music from this program. \n\nWorks on the program: \n\nAdolphe Adam: O Holy Night\nJohann Sebastian Bach: Süßer Trost\, mein Jesus kömmt\, BWV 151\nJohann Sebastian Bach and Charles Gounod: Ave Maria\nPeter Cornelius: Christbaum (Christmas Tree)\, from Weihnachtslieder\, Op. 8\nFranz Gruber: Silent Night\nGeorge Frideric Handel: Hallelujah\, from Messiah\nGustav Holst: In the Bleak Midwinter\nMykola Leontovych and Peter J. Wilhousky: Carol of the Bells\nFelix Mendelssohn: Vaterland\, in deinen Gauen\, from Festgesang (Hark! The Herald Angels Sing)\nArnold Schoenberg: Weihnachtsmusik (Lo\, How a Rose E’er Blooming)\nPyotr Ilyich Tchaikovsky: Excerpts from The Nutcracker\, Op. 71\nTraditional Catalan: Fum\, Fum\, Fum\nTraditional English: The Holly and the Ivy\n\nSingers: Nina Garguilo\, soprano; Holly Meyer Sheppard\, alto; Thomas Strawser\, tenor; Thomas Long\, baritone. [[ NEEDED: bios ]] \nInstrumentalists: Jeannette Hirasawa Moore\, flute; Mary Simon\, oboe; Maria Flurry\, timpani; Andrew Campbell\, piano; Katherine McLin\, violin; Bryn Cannon\, viola; Wesley Skinner\, cello. \nPianist Andrew Campbell is a versatile collaborator whose work spans chamber music\, opera\, and orchestral performance. He has appeared internationally across Europe\, South Africa\, and Asia\, and throughout the United States. Campbell has directed summer music programs in Germany\, Luxembourg\, and North Carolina\, and serves as Faculty Artist at Rocky Ridge Music in Colorado. His recordings include Cantando with bassoonist Albie Micklich\, and recent highlights include serving as principal pianist for the Oregon Bach Festival Orchestra in summer 2024. As a vocal coach\, he has worked on the music staffs of Washington National Opera and San Diego Opera\, collaborating with conductors Andre Previn and Heinz Fricke and working with composer Carlisle Floyd. Campbell studied with Martin Katz at the University of Michigan and is Professor of Music and Director of Collaborative Piano at Arizona State University.
URL:https://azphil.org/event/a-virtuoso-christmas/
LOCATION:Ruth Street Theater\, 1050 Ruth Street\, Prescott\, AZ\, 86301
CATEGORIES:2026-27 Season,Concert,Holiday,Ruth Street Theater Events,Season Concert
ATTACH;FMTTYPE=image/jpeg:https://azphil.org/wp-content/uploads/2026/09/261206-A-Virtuoso-Christmas-16-9@3x-scaled.jpg
ORGANIZER;CN="Arizona Philharmonic":MAILTO:info@azphil.org
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261212T190000
DTEND;TZID=America/Phoenix:20261213T210000
DTSTAMP:20260920T032554Z
CREATED:20260919T232616Z
LAST-MODIFIED:20260920T032554Z
UID:11849-1797102000-1797195600@azphil.org
SUMMARY:The Nutcracker
DESCRIPTION:The Nutcracker\n\nPerformances \n\nSaturday\, December 12 at 7:00 pm\nSunday\, December 13 at 3:00 pm\nSunday\, December 13 at 7:00 pm\n\nThis holiday season\, Arizona Philharmonic and Yavapai Ballet Theatre co-present a fully staged production of Pyotr Ilyich Tchaikovsky’s The Nutcracker\, its beloved score played by a live orchestra. On Christmas Eve\, young Clara receives a Nutcracker doll at her family’s lively holiday party. That night she is swept into a dream where the Nutcracker comes to life\, battles the Mouse King\, and transforms into a Prince\, who guides her through a shimmering forest of snow to the Kingdom of Sweets\, where the Sugar Plum Fairy welcomes them with a series of enchanting dances. \nYavapai Ballet Theatre brings the story to life with a full\, vibrant set\, glittering hand-crafted costumes\, and a cast of dancers drawn from across our region\, now joined by live music from Arizona Philharmonic. \nYavapai Ballet Theatre was founded in January 2026 so that Yavapai County’s most serious dancers could find professional-level training and performance opportunities close to home rather than in Phoenix or out of state. The Nutcracker is the company’s first full-length production. \nThe Nutcracker is a special set of performances sold separately from season ticket packages. Tickets are sold by Yavapai Ballet Theatre. \nAdmission \n\n\n\nVIP: $85.00 adult ($90.00 with fees)\, $50.00 child ($53.25 with fees)\nTier 1: $60.00 adult ($63.75 with fees)\, $30.00 child ($32.25 with fees)\nTier 2: $45.00 adult ($48.00 with fees)\, $22.00 child ($23.85 with fees)\nTier 3: $35.00 adult ($37.50 with fees)\, $15.00 child ($16.50 with fees)\n\nTickets are sold by Yavapai Ballet Theatre\, and the price in parentheses is what you pay at checkout with their ticketing fee added. \n\n\nWorks on the program: \n\nPyotr Ilyich Tchaikovsky: The Nutcracker\, Op. 71 (complete ballet)
URL:https://azphil.org/event/nutcracker/
LOCATION:Ruth Street Theater\, 1050 Ruth Street\, Prescott\, AZ\, 86301
CATEGORIES:2026-27 Season,Concert,Holiday,Nutcracker,Ruth Street Theater Events
ATTACH;FMTTYPE=image/jpeg:https://azphil.org/wp-content/uploads/2026/09/261212-Nutcracker-16-9@3x-scaled.jpg
ORGANIZER;CN="Yavapai Ballet Theatre":MAILTO:info@ybtheatre.org
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20270214T150000
DTEND;TZID=America/Phoenix:20270214T170000
DTSTAMP:20260920T032545Z
CREATED:20260919T232620Z
LAST-MODIFIED:20260920T032545Z
UID:11853-1802617200-1802624400@azphil.org
SUMMARY:Echoes Across Time: Music for Piano Trio
DESCRIPTION:Echoes Across Time: Music for Piano Trio\n\nMiki Aoki joins Luke Hill and Wesley Skinner in a different combination for each piece: violin and piano\, then cello and piano\, then all three. George Frideric Handel’s Violin Sonata opens the afternoon. It was his last piece of chamber music\, and its closing dance returned as the sinfonia that opens the third act of Jephtha\, the oratorio he set aside in February 1751 when the sight in his left eye began to fail. \nFazıl Say’s Four Cities takes the cello through four Turkish cities: the melancholy of a saz in Sivas\, a fast Black Sea dance in Hopa\, a wartime protest song in Ankara\, and jazz in the bars of Bodrum\, ending in a pub brawl. Our principal cellist Wesley Skinner calls it one of the greatest cello works written this century. \nPyotr Ilyich Tchaikovsky once told his patron he could not endure the sound of piano with violin and cello. Then Nikolai Rubinstein died\, and Tchaikovsky wrote his Piano Trio in A minor in Rubinstein’s memory. Rubinstein had been one of the great pianists of the age\, so the piano part grew until it came close to a concerto. \nMountain Artists Guild joins us for the third time\, with a juried show responding to the music\, on stage and in the lobby. \nAdmission \n\n\n\nTier 1: $69.00\nTier 2: $54.00\nTier 3: $28.00\n21 and under: $10.00\nK–12 teacher with ID: $15.00\n\n\n\n\nThursday February 11\, free: cellist Wesley Skinner takes you inside this program. \n\nWorks on the program: \n\nGeorge Frideric Handel: Violin Sonata in D Major\nFazıl Say: Four Cities\nPyotr Ilyich Tchaikovsky: Piano Trio in A minor\n\nEqually celebrated as a soloist\, chamber musician\, and collaborative artist\, Miki Aoki brings exceptional versatility and depth to her performances\, which have captivated audiences across Europe\, Asia\, and the Americas. She currently serves as Assistant Professor of Collaborative Piano at Arizona State University. \nDr. Aoki made her debut at age 12 at the Royal Festival Hall in London as a soloist with the National Symphony Orchestra\, and has since performed at Carnegie Hall\, the Barbican\, and festivals including the Salzburger Festspiele and the Menuhin Festival Gstaad. She records exclusively for the German label Hänssler Profil; her four albums include Tokyo Story\, a world premiere of music from the films of Yasujiro Ozu in their original piano manuscript versions. She earned degrees from Indiana University\, Yale University\, and Stony Brook University\, and completed the Konzertexamen with distinction at the Hochschule für Musik und Theater Hamburg. Miki Aoki is a Steinway Artist. \nViolinist Luke Hill is the concertmaster of the West Valley Symphony and assistant concertmaster of Arizona Philharmonic. A graduate of Arizona State University\, where he studied with Dr. Katherine McLin\, and the University of Colorado studying under Charles Wetherbee. Mr. Hill has performed internationally at festivals such as Brevard Music Festival and Green Mountain Chamber Music Festival. He has also studied abroad in Florence\, Italy\, and Saarburg\, Germany\, and performs on a 1912 W.E. Hill & Sons violin. \nCellist Wesley Skinner is the principal cellist of Arizona Philharmonic with degrees from the Cleveland Institute of Music and Arizona State University. Wesley explores innovative programming through cross-disciplinary collaboration with female and Latin American composers\, as well as commissioning new works for the cello repertoire. He has won awards internationally as a soloist and chamber musician in addition to his music composition for theater here in Arizona. Wesley works with hundreds of cellists yearly between his private studio\, summer teaching\, and community outreach.
URL:https://azphil.org/event/echoes-across-time/
LOCATION:Ruth Street Theater\, 1050 Ruth Street\, Prescott\, AZ\, 86301
CATEGORIES:2026-27 Season,Concert,Ruth Street Theater Events,Season Concert
ATTACH;FMTTYPE=image/jpeg:https://azphil.org/wp-content/uploads/2026/09/270214-Miki-Aoki-16-9@3x-scaled.jpg
ORGANIZER;CN="Arizona Philharmonic":MAILTO:info@azphil.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20270425T150000
DTEND;TZID=America/Phoenix:20270425T170000
DTSTAMP:20260920T032549Z
CREATED:20260919T232625Z
LAST-MODIFIED:20260920T032549Z
UID:11857-1808665200-1808672400@azphil.org
SUMMARY:Beethoven Goes to the Dogs
DESCRIPTION:Beethoven Goes to the Dogs\n\nMaestro Peter Bay leads the final concert of our season in unexpected company: Ludwig van Beethoven’s first symphony shares a stage with a pack of cartoon dogs. Those dogs are Thurber’s Dogs\, a suite of short orchestral sketches by Peter Schickele\, better known as his satirical alter ego P.D.Q. Bach\, after the drawings of James Thurber. Each movement captures a different personality\, clumsy or noble or distracted\, and each is crafted with charm\, precision\, and Schickele’s sharp ear for musical character. \nOur principal oboist Laura Arganbright is featured in Marie Clémence de Grandval’s Oboe Concerto\, a lyrical and poised work from 1877. Grandval studied with Chopin\, and Paris’s most prestigious orchestra played this concerto in her lifetime. Then it disappeared. Laura proposed bringing it back\, drawn to “a relatively unknown female composer whose music is newly being rediscovered.” \nPeter Maxwell Davies wrote Farewell to Stromness as a protest against a uranium mine proposed for Orkney\, where he lived. Its slow walking bass carries the townspeople out of their homes\, and its gentle\, sometimes sad lyricism understates what the protest won: the mine was never built. Davies later said the piece had almost become a folk tune. The concert concludes with Ludwig van Beethoven’s Symphony No. 1\, a bold and youthful entry into the symphonic tradition he inherited from Haydn and Mozart. Playful in its turns and grounded in Classical form\, the finale reveals the personality of a composer just beginning to make his mark. \nAdmission \n\n\n\nTier 1: $69.00\nTier 2: $54.00\nTier 3: $28.00\n21 and under: $10.00\nK–12 teacher with ID: $15.00\n\n\n\n\nThursday April 22\, free: conductor Peter Bay on the program that puts Beethoven’s First Symphony in the company of Schickele’s Thurber’s Dogs. \n\nWorks on the program: \n\nPeter Schickele: Thurber’s Dogs\nMarie Clémence de Grandval: Oboe Concerto in D Minor\, Op. 7\nPeter Maxwell Davies: Farewell to Stromness\nLudwig van Beethoven: Symphony No. 1 in C Major\, Op. 21\n\nPeter Bay has served as conductor of Arizona Philharmonic since 2018. He is also Music Director and Conductor of the Austin Symphony Orchestra and Resident Conductor of the Piano Texas Festival. Bay has appeared with more than 80 orchestras\, including the National\, Chicago\, St. Louis\, Houston\, Dallas\, Baltimore\, and Fort Worth symphonies\, and has held music-director posts with the Erie Philharmonic\, Annapolis Symphony Orchestra\, and several music festivals. He is also the primary conductor for Ballet Austin. \nDr. Laura Arganbright is the principal oboist of both the Bakersfield Symphony Orchestra and the Arizona Philharmonic. A versatile performer\, she has played with the Los Angeles Philharmonic\, Pacific Symphony\, Modesto Symphony\, and Jacaranda Music\, among others. As a soloist\, she has appeared with the Bakersfield Symphony in Oscar Navarro’s Legacy\, with Arizona Philharmonic in Marcello’s Concerto in D minor\, and in the world premiere of Viet Cuong’s Extra(ordinarily) Fancy. \nA dedicated educator\, Laura is the Oboe Teaching Artist for the Los Angeles Philharmonic’s YOLA program and has worked with The Harmony Project and USC’s Thornton Community Engagement Program. She maintains a competitive private studio and is active in reed-making pedagogy\, having coached reed-making for oboe majors at USC. \nLaura holds a Doctorate of Musical Arts from the University of Southern California\, where she was honored with the Brandon Mehrle Service Award. She studied with Joel Timm\, Marion Kuszyk\, and Lot Demeyer\, and earned her Bachelor’s and Master’s degrees from Arizona State University under Martin Schuring.
URL:https://azphil.org/event/beethoven-goes-to-the-dogs/
LOCATION:Ruth Street Theater\, 1050 Ruth Street\, Prescott\, AZ\, 86301
CATEGORIES:2026-27 Season,Concert,Ruth Street Theater Events,Season Concert
ATTACH;FMTTYPE=image/jpeg:https://azphil.org/wp-content/uploads/2026/09/270425-Laura-Arganbright-16-9@3x-scaled-e1789867519539.jpg
ORGANIZER;CN="Arizona Philharmonic":MAILTO:info@azphil.org
END:VEVENT
END:VCALENDAR